THE EVENING TIMES
Salisbury, Maryland Wednesday, August 20, 1924
Archie Drake, reporter
PACKED HOUSE AT OPENING OF WESTDALE CHAUTAUQUA
Program of Entertainment Is a Most Varied One And Appeals To All Classes of
People—
Last Night’s Opening Concert Featuring The Versatile Quintet Was Greeted With Much Applause
The Chautauqua Season opened last night to a standing-room-only crowd. The ladies of the renowned Versatile Quintet entertained the audience with a varied program starting with a rousing patriotic medley, followed by equally brilliant piano, then trombone solos and a knee-slapping duet of the banjo and violin. Several other varied numbers including a musical saw solo, a hilarious monologue
along with an outstanding a cappella rendition of “Where the Lilies Bloom” finished the fine evening of entertainment. Yet, it was the two whistling numbers
that had the audience on their feet. First, the unusual harp and whistling duo of Mendelssohn’s “Spring Song” and then the finale, a mesmerizing arrangement of
Rimsky-Korsakov’s “The Flight of the Bumblebee.” This reporter was able to catch a few moments with Miss Bertha Stauffer, the whistling sensation who
dazzled tonight’s crowd, as she was leaving the Chautauqua tents.
AD: I’m Archie Drake (AD), reporter for The Evening Times of Salisbury, Maryland and all of Wicomico county. So, Miss Stauffer (MS), please tell me how a woman like you learned to whistle.
MS: I practiced whistling bird calls with my older brother, Edwin. We’d stroll around our apple orchard mimicking different birds starting when I was about five or six years old. He’s the one who told me I had perfect pitch. Then my mother taught me to whistle hymns and such while she accompanied me on the piano.
AD: Your folks approved of your whistling?
MS: Ab-so-lute-ly. My mother encouraged it. I was eleven when I whistled with the West Chester United Methodist Church choir for the first time. AD: Is that so? I don’t think I’ve ever heard a woman whistle in perfect pitch.
MS: It’s a gift, isn’t it? My older sister still doesn’t approve of my whistling; she thinks it’s not proper. But whistling is what got me this job with Westdale Chautauqua. It’s our duty to bring education and enlightenment to all of America
and that includes whistling women!
AD: I’ll say! How many bird calls can you imitate?
MS: Over forty and counting. I hear new songs as we travel across North America so I’m adding more bird calls to my repertoire daily. I just learned the Black- Throated Blue Warbler. Do you know it?
AD: Let’s hear it.
Note: Miss Stauffer proceeded to whistle the five-count buzzy, slurred call that sounded like “please, please, please, and squeeze” in a sweet high pitch to this reporter.
AD: Who arranges your music? I’ve never heard whistling with a harp accompaniment. And the way each instrument was brought in at such fast tempos for the finale number definitely captured my attention.
MS: Both arrangements were written by our brilliant pianist, Miss Helen Wilcox. She composes all the musical pieces for the Versatile Quintet and is a student at the Curtis Music Institute out of Philly. And our harpist is Miss Florence
Armstrong—she’s pos-i-tive-ly the bees knees, isn’t she?
AD: A woman composer? That makes my head spin. I wouldn’t use that particular phrase, Miss Stauffer, however you have an impressive harpist in your troupe.
MS: Please, call me Birdie, all my friends do. And don’t forget to mention Mary and Adelle in your article. I mean, Miss Mary Brewer on violin and Miss Adelle Rowley on banjo. Goodness sakes, their duet was glorious as well, wasn’t it?
AD: Ah, how is it that five women travel to so many towns unaccompanied?
MS: Oh! We’re not unaccompanied. Our assistant circuit manager, Mr. Teddy Zimmerman is with us on every train. The Westdale Chautauqua circuit takes care of their talent. They schedule our train travel, purchase our tickets, and arrange for our lodging. Tonight, we’re staying at the Whitehaven Hotel. I hear that’s a fine establishment.
AD: Why yes, it is. And what musical arrangements are you delighting us with tomorrow?
MS: You’d have to travel to Staunton, Virginia to hear the Versatile Quintet tomorrow. We’re the opening act of opening night for every Westdale Chautauqua circuit A. I know it sounds crazy but we travel to a different town every day. As a
matter of fact, I must skedaddle. I’m to meet the other girls at the hotel’s restaurant for a late-night dinner. It was nice to meet you, Mr. Drake.
And with a tip of her cloche, Miss Stauffer dashed away. The Versatile Quintet was followed by a rousing reading of “The Charge of the Light Brigade” by Miss Mable Walker Willebrand. The crowd had been expecting Mr. Walter Grantham as
the lecturer however, the esteemed Miss Willebrand was substituted at the last minute and was quite a success.
Tomorrow’s program is as follows: Morning: Junior Chautauqua for the children; Afternoon lecture “Our Crowned Kings” by Arthur W. Evans, concert by the Durieux-Carley Company; Evening: Artistic recital by Louise Stallings, lecture
“World Building” by Honorable Frank B. Pearson. Based on tonight’s sensational program, this reporter is looking forward to all that Westdale Chautauqua has to offer Salisbury and all of Wicomico county.

Growing up as the perpetual “new kid” Melora Fern persevered by making up stories and recently has learned how to hone that skill into writing fiction. As a recovering CPA, she now counts seashells, colorful stones, or words discovered on her walks. She loves a good local gin, hiking, feeding songbirds, moonrises and joyfully sharing bites of your dinner. After eight years of perfecting her craft with writing classes, workshops, retreats, and an awe-inspiring critique group, Melora’s months of querying agents and small presses has paid off. Her novel, “Whistling Women and Crowing Hens” (Sybilline Press) is out now. Learn more at: https://www.melorafern.com/
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In this book we meet William Eng, a young Chinese boy living in a Catholic orphanage in Seattle. He remembers his mother and is sure the singer who is performing in town by the name of Willow Frost is his mother Liu Song. He escapes along with his blind friend Charlotte and they search for her. The reunion is not as joyful as he was expecting, however, and we are taken back to the 1920s and learn Liu Song’s sorrowful story of abuse and a love lost. William experiences his own loss and eventually returns to the orphanage.