Interview with Perla Divko from The Devil’s Breath by Tom Hogan

Perla Divko, along with her husband Shimon, is an Auschwitz prisoner forced by Kommandant Rudolf Höss to solve a murder (of Höss’s accountant) and the theft of millions in gold extracted from the teeth of gas chamber victims. The Divkos are a formidable team: Shimon was Chief Detective in Warsaw, while Perla was an investigative reporter. In The Devil’s Breath, the pair approaches their assignment with two goals:  to solve the murder and theft, and thus stay alive; and to get word and evidence about Auschwitz and its industrial murder to the outside world.

Q:  You and your husband are forced to help your captors and torturers. How difficult was that for you?

A:  The Kommandant tortured my husband, but he didn’t break. Then they told us that they would execute 100 of each of our barracks-mate if we wouldn’t help. I believe we were still willing to die for our beliefs, but then Divko suggested that we had a unique opportunity to get inside the workings of Auschwitz and document the mass murder happening there. That was what made working with the Nazis palatable.

Q:  You and your husband are a team of equals, a rare commodity in Europe, especially Poland.

A:  We were fortunate in that we both had established ourselves in our professions before we met. And when we first met, I had more sources and inside information than Shimon. So we met as equals, became partners, and only then got married.

Q:  Your alliance with your Nazi overseer, Graf, is again something unique in the stories we hear about the Holocaust, especially the camps. How did that come about?

A:  It began as an adversarial relationship, with Herr Graf charged with overseeing every phase of the investigation and reporting it back to his Nazi overlords. But Graf was also a human being, and once he saw the workings of Auschwitz up close, his human side trumped his Nazi loyalties. And that opened the doors to each of us being to talk to the other as equals, rather than prisoner/captor.

Q:  You had a fiery relationship with Gisela Brandt, the female SS officer in charge of camp labor. Were you ever worried that she might send you to the gas chambers for what she called your ‘insubordination’?

A:  Not really, but only because I was far more useful to her alive than dead. And while she pretended that we were allies, she was a Nazi through and through, and I knew that the moment my value to her and the Kommandant lessened, I’d be in the next transport to the gas chambers.

About the Book:

The Devil’s Breath is a fascinating new suspense novel set in Auschwitz. This murder/theft mystery takes a unique approach to Holocaust literature. Instead of the events of camp and ghetto life being the primary narrative, The Devil’s Breath uses the Holocaust as the setting for a gripping murder and heist mystery, educating the reader as it entertains.
Auschwitz prisoners Perla and Shimon Divko—she an investigative reporter, he a former lead detective in the Warsaw ghetto—are forced by Kommandant Rudolf Höss to solve the murder of his chief accountant and find millions in missing gold taken from the bodies of Jewish corpses. With Reichsführer Himmler due for his annual audit, they have a week to solve the crime or watch hundreds of their peers executed as the penalty for their failure. The investigators dive deep inside Auschwitz—the Kanada harvesting operation, the killing process and the perils of daily life, hindered at every step by multiple red herrings, the murder of prime suspects and witnesses, and the complicated relationship between Höss and his mistress, Gisela Brandt, an SS officer.
The Divkos have two agendas in accepting the case: 1) to solve the crime and keep themselves and the hostage prisoners alive; and 2) find a way to alert the world about the scope and purpose of Auschwitz. In a thrilling conclusion, they solve the crime but are sentenced to death in the gas chamber for their efforts, where in a triumphant but heartbreaking finale, they pull off one act of resistance.

Title: The Devil’s Breath ISBN: 978-1-7369436-1-8 274 pgs., Format: Paperback Price: $17.95, Kindle: $2.99 ISBN: 978-1-7369436-0-1 Pub. date: Aug. 30, 2021


About the Author
Tom Hogan grew up in post-war Germany, living in a German village with his US military family. When Tom was 8, the family visited Dachau, the original Nazi concentration camp, which prompted Tom to wonder how many of his neighbors had known about or participated in the campaign against the Jews and the resulting Holocaust. It was a question that would stay with Tom his entire life.
After graduating from Harvard with an MA in Biblical Archaeology, Tom was recruited by a human rights agency to bring Holocaust Studies into high school and college curricula. For four years he taught at Santa Clara University and traveled with Holocaust survivors to school districts and universities, bringing the lessons of the Holocaust home to new audiences.
In the late 80s, Tom left teaching to join a growing company, Oracle, as its first creative director. Leveraging his success at Oracle, he joined the VC (Venture Capital) world, where his agency, Crowded Ocean, positioned and launched over 50 startups, many of them market leaders today. He is the co-author of The Ultimate Startup Guide, which is used in graduate and MBA programs. 
He recently left the tech world to return to teaching. For five years he taught Holocaust and Genocide Studies at UC Santa Cruz. He then retired to Austin, where he now writes full-time. His first novel, Left for Alive, was described by Kirkus as “gritty and observant, particularly his descriptions of the various outlaws who populate his pages… an impressive tale about criminals that will hold readers hostage.” The Devil’s Breath is his second novel. In addition to his fiction, Hogan is a screenwriter and has written for Newsweek as well as numerous political and travel publications.

Interview with Jozefien van Rees from Melanie Dobson’s Memories of Glass

Welcome to Novel Pastimes, Jozefien.

Please call me Josie. The other name brings back some hard memories.

Thank you for sharing with us today, Josie. It must be very difficult for you to talk about the past.

I’m glad to be here, especially after all that’s happened. I’m—

We don’t want to give away too much of your story right now. Just a glimpse.

Life is just a glimpse, isn’t it? A few lines to remember the beginning, middle, and end.

We’re glad to learn more than just a few lines about your journey. Could you tell us where you grew up?

In a beautiful village called Giethoorn. Idyllic, really. Do you know where that is?

I’m guessing it’s somewhere in the Netherlands.

We called it Holland back then, but yes, it’s on the east side of the country. Near Kamp Westerbork and the German border. Klaas and my brother, Samuel, and I would play for hours along the canals. The houses in our village were built on little islands, separated by the waterways. We’d have to cross over on bridges or with our canoes or, my personal favorite, swimming. And the flowers—I forget some things, but I could never forget the gardens of Giethoorn.

Now you had a relationship with Klaas . . .

We were friends, nothing more.

But he seemed to think there was more.

I suppose, in hindsight. If only he hadn’t chosen to . . .

That’s part of the ending, isn’t it?

I only want readers to forgive him. They didn’t know him like I did.

Did he know you were helping the Dutch resistance during the war?

I’m not certain when he found out, but I don’t think he knew when I was delivering money. Only when Samuel and I started to help the children.

You lost a lot as a result of your choice to help those kids.

I only wish I could have rescued more. We had no idea at the beginning of the war where the Jewish children were taken when they left Amsterdam. When we found out, we had no choice except to help.

You were a hero.

I was terrified! We all were. None of us thought of ourselves as heroes, but God’s call was quite clear on our lives.

Do you have any regrets?

I don’t think about regrets anymore. Once Samuel and I and all the others stepped into the horror, we had to press right through it. I don’t want to forget what happened, but I want to embrace all that is good now, not focus on what I should have done so long ago.

I can understand that. How do you recommend that our readers remember the Holocaust?

The Dutch lost more than a hundred thousand of their Jewish citizens during World War II. It’s impossible to remember all the names, but I pray we can honor their collective legacy by remembering their stories.

ABOUT THE AUTHOR

Melanie Dobson is the award-winning author of nineteen historical romance, suspense, and time-slip novels, including Hidden Among the StarsCatching the WindChateau of Secrets, and Shadows of Ladenbrooke Manor. Four of her novels have won Carol Awards, Catching the Wind won the Audie Award for inspirational fiction, and The Black Cloister won the Foreword magazine Religious Fiction Book of the Year.

Melanie is the former corporate publicity manager at Focus on the Family and owner of the publicity firm Dobson Media Group. When she isn’t writing, Melanie enjoys teaching both writing and public relations classes.

Melanie and her husband, Jon, have two daughters. After moving numerous times with work, the Dobson family has settled near Portland, Oregon, and they love to hike and camp in the mountains of the Pacific Northwest and along the Pacific Coast. Melanie also enjoys exploring ghost towns and abandoned homes, helping care for kids in her community, and reading stories with her girls.

Visit Melanie online at www.melaniedobson.com.

Interview with Eleanor Moskowitz From Not Our Kind by Kitty Zeldis

 

NotOurKind hc c LRThank you for doing this.  It looks like you are trying to find your place in this post World War II world where anti-Semitism still looms large.  Yet, being a Jew collided with the WASP world of the Bellamy family after Patricia hired you to tutor her daughter Margaux.  Unfortunately, the father and husband Wynn sexually harassed you and you fell in love with Patricia’s brother Tom.  Both these caused conflicts within the New York societal norms; yet, there was a bond formed between you and the Bellamy women.

 

Elise Cooper: Now, a few years after the Holocaust, do you think American society in general still has covert anti-Semitism and attitudes?

Eleanor Moskowitz:No, I think that anti-Semitism in America is out front and on full display.  Apartment buildings, neighborhoods and even whole towns were proud to call themselves restricted.  Jews were not welcome in many places, and urged, as I was, to change their names.  There is nothing covert about any of that.

EC: Are you the type of person that wants to fight the restrictions against the Jews or will go along to get ahead?

EM:Sometimes I feel the need to fight; other times, to keep my head down and avoid attracting any attention. I think both strategies have their merits, depending on the situation.

EC: You were overheard saying that a Jew in a Gentile world remains on the margins in a deferential role-do you still feel this way?

EM:Yes, I do.  And that’s why I’m hesitant to marry Tom. He may feel there are no differences, no barriers. But other people won’t feel the same way and he’s naive if thinks they will.

EC : You were hired to tutor Margaux, did you enjoy it?

EM:I loved tutoring her more than any other student I’d ever encountered.  In part, it was because I had to win her over.  But I also loved her pride, her anger, and sense of herself as an exile—I realized these qualities reminded me of myself.

EC: Do you think you broke down the barriers inch by inch with Margaux?

EM:Yes, at least at the beginning.  But once I won her over, the floodgates opened and it became easy between us.  Her vulnerability was very touching.

EC: How did seeing someone with polio affect you and do you think that is why you bonded with Margaux?

EM:I came to see her disease as a badge of honor; it made her proud, it made her truthful.  And it set her apart from most of her peers and in that way, I felt she was a kindred spirit.

EC: Do you think teachers are the most important people in a childs life?

EM:Maybe not the most important, but certainly very important. Teachers represent a bridge between the world of home and family and the larger world that awaits just beyond.  A good teacher is a guide into that wider world and as such, is very precious.

EC: How would you describe your relationship with Patricia, Margaux’s mom?

EM:Our connection is deep and real but also complicated.  She had no idea of who I was when she invited me into her home and into her life; I think I upended all her ideas about what Jews were like.  She was conflicted about having me in her world, but her love for Margaux was stronger than her prejudices—which were passive rather than active—and so she accepted and even valued me.  It was when I stepped outside the role she had cast me in—a servant of sorts, beloved perhaps but still the hired help—that the trouble began. A romance with her brother and the possibility that I might become her sister-in-law?  A friendship with her daughter that transcended our teacher-student relationship?  These things were threatening to her, and she resented me for forcing her to confront them.

EC: Do you think when you were hired two worlds collided?

EM:Yes, but that was not immediately apparent to me. I didn’t realize the extent of my involvement with any of the Bellamys when I first went to work for them.  I couldn’t have imagined my growing attachment to Margaux, or that Mr. Bellamy would attack me.  And I couldn’t imagine Tom, and the effect he would have on me.

EC:It is disheartening what Mr. Bellamy did. Do you think he looked upon you as property?

EM:Perhaps not property.  But not a woman, or a person, who was his equal. I was to him a stereotype—a Jewess—and that allowed him to behave to me as if I were inferior.

EC: Do you get solace from your religion, like when you went to the Mikvah, a bath used for ritual immersion, after the encounter with Mr. Bellamy?

EM:I was not raised in an observant home, and in fact, those kind of rituals, were sometimes the source of conflict between my parents—my father tended to be nostalgic for the “old country” and the traditions that were part of that life.  My mother wanted no part of any of it and she couldn’t understand my father’s attachment to those old ways.  I was surprised that I derived as much comfort as I did from my visit to the Mikvah. But I was desperate, and willing to try almost anything.

EC: Do you consider yourself a religious person as far as your dress, eating habits, living quarters…?

EM:Not at all.  And yet I consider myself a Jewish woman. I couldn’t be anything else; being Jewish is an indelible part of me.

EC: So do you think this effects your relationship with Tom?

EM:Tom is smart, funny and above all charming.  I love him for his many virtues, and in spite of his many faults.  I want to be with him, but I’m not blind to the difficulties that a life with him would mean, and not entirely sure I would be able, in the long term, to tolerate them.

EC:Do you see a big difference between how the Bellamys led their lives with all their riches and how you led your life?

EM:Well, they had a kind of ease in the world that had been denied to me, as well as the insulation that having money provides. And they had not been forced to question the status quo in the way I had—it had served them well after all.  At times I admired them, at times I envied them, at times I disdained them.

EC: If you had a crystal ball what would your life be like in five years?

EM:I see a future that includes work I love—maybe in publishing, maybe a return to teaching—and a place of my own.  A husband and children are there too, but they are a little hazier, and harder to see.

EC: What are your hopes and dreams?

EM:To find my place in the world and to be happy in it.

EC: What do you do for fun or to relax?

EM:I love to read, to dance, to go to the movies.

EC: Anything else you would like to say that has not been asked?

EM:No, I think you’ve been very thorough and far-ranging in your questions.

EC: Thanks again for doing this. 

Kitty Zeldis is the pseudonym for a novelist and non-fiction writer of books for adults and children. She lives with her family in Brooklyn, NY. Kitty Zeldis hat photo LR (002)